Simplicity bias tape maker12/1/2023 ![]() You can also achieve some interesting results using a different channel’s output as the side-chain signal. This is really cool and can save a lot of time compared to riding a fader for the same effect. What this means is it only passes audio when the input signal goes above the compressor’s threshold, so you’ll only get reverb on the loudest sections of the signal. ![]() With this enabled, the compressor only outputs audio when gain-reduction is taking place. Screen 2: Enabling the loudspeaker icon in the Pro Compressor plug-in means that it only passes audio to the reverb when compression is taking place. On the Pro Compressor, I have enabled the Monitor button, visible as a small speaker icon near the top-right corner of the compression display. For example, in Screen 2 I have an Avid Pro Compressor plug-in feeding an Exponential Audio R2 reverb plug-in. This can be a useful diagnostic tool, but it also has the potential to be used creatively. When you enable this option, you hear only the contribution that the plug-in is adding to the signal - in other words, the difference between the dry and the processed signal. There are a growing number of plug-ins that have a Monitor or ‘difference’ option. Note that this doesn’t work if you use the Grabber tool to move clips. However, Screen 1c shows what happens when I select Send To Back and then repeat the nudge: this time, the left-hand clip has gone underneath the right-hand clip. In 1b, I have nudged the left-hand clip rightwards, and it has gone over the top of the right-hand clip. Screen 1c.Screens 1a and 1b show two adjacent clips. The Clip menu offers two options named Send To Back and Bring To Front, which relate only to how clips behave when nudged. When you are working with layered content in a program such as Photoshop, there is the option to change the order of the layers, and I was interested to learn that this feature exists in Pro Tools also. In this month’s Pro Tools workshop, I am going to share a number of less well-known tricks that I have picked up along the way, beginning with an option I wasn’t aware of until very recently: Send To Back or Bring To Front. We serve up a tempting menu of little-known Pro Tools tips, including some new features in 12.6. Once you have completed your binding, you will need to snip away any excess binding and pull the work to the back of your sewing machine to remove it without damaging your work.Screens 1a-1c: You can choose whether nudged clips should cover up overlapping clips (1b), or be placed behind them (1c). You can now sew away, making sure the binding and fabric feed together through the presser foot.ĥ. Make sure you tighten this screw back up again or the results won't be pleasant!Ĥ. If you need to adjust, you can either use the left or right needle positions, or you can adjust the smaller screw at the back of the foot which will allow the whole plastic portion, and the fabric it now holds, to move to the correct position. ![]() Once in place, check that the needle lines up where you want. You can pin the rest of the bias tape to the fabric.ģ. You should now have a bias bind ing sandwich. Slip it between the two edges of the binding into the center groove of the plastic portion of the presser foot. You are now ready to insert the main body of fabric that is being bound. Snap the presser foot to your sewing machineĢ.
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